Tesis Doctorales

A comprehensive performance guide for the use of advanced technology in Euphonium repertoire with electronic media through analyses of works by D. Edward Davis, Neal Corwell, and Lucy Pankhurst (Autor: Irving Ray. 2017)
A comprehensive performance project in trombone literature with an essay consisting os a study of performance problems in the Euphonium and Bass Trumpet parts os twenty-two selected symphonic and operatic works: A source of ancillary study materials for the trombonist with secondary valve skills (Autor: Jeffrey Macomber. 1988)
A critique of etudes and methods books for advanced euphoniumists: Status quo and future recommendations (Autor: Mitsuri Saito. 2008)
A historycal survey of the euphonium and its future in non-traditional ensembles together with three recitals of selected works by Jan Bach, Neal Corwell, Vladimir Cosma and others (Autor: Jeffrey S. Cottrell. 2004)
A pedagogical and methodical approach to unaccompanied euphonium literature through performance and analyses of original works by Torstein Aagaard-Nilsen (Autor: Patrick J. Nyren. 2013)
A pedagogical study and practice guide for significant original euphonium solo compositions for the undergraduate level student. (Autor: Brian Daniel Meixner. 2007)
A performance analysis of five recital works for euphonium (Autor: Karl Thomas Steinberger. 1981)
A performance guide for Pearls I and Pearls II by Roland Szentpali (Autor: Christopher Buckley. 2010)
A survey of the solo and shamber works for Trumpet, Horn, Trombone, Euphonium and Tuba by the hungarian composer Frigyes Hidas (Autor: Jonathan B. Gill. 2013)
A transcription of three arias from The barber of Seville, by Gioacchino Rossini, for solo euphonium and large brass ensemble, with three recitals of selected works by E. Bozza, A. Capuzzi, J. Koetsier, A. Ponchielli, and others (Autor: Louis Melvin. 1998)
An analysis of Johan de Meij´s Ufo Concerto for Euphonium and Wind Orchestra through the lens of conductor and soloist, with a list of original euphonium solos accompanied by wind band (2007-2014) (Autor: Ishbah Cox. 2016)
An analysis of the blowing pressure used for trombone and euphonium tone production (Autor: Earl Larson Sherburne. 1981)
An analysis of the pedagogycal advantages relating to combined study of euphonium and trombone through the use of specific repertoire (Autor: Jamie Lipton. 2010)
An assessment of extant Euphonium methodologies for developing and performing in the upper register (Autor: Wei Chien Chou. 2017)
Brazilian euphonium: Brief historical background and annotated bibliography of selected solo and chamber works (Autor: Fernando Deddos. 2016)
El figle en España en el siglo XIX (Autor: Alfonso Molla Castells. 2014)
Evaluación de un programa didáctico de estrategias de práctica instrumental eficaces en la interpretación musical (Autora: Silvia Tripiana Muñoz. 2015)
Filling the void: Examining string literature in the Euphonium repertoire (Autor: Travis Cale Self. 2010)
La enseñanza de la tuba: perspectivas del profesor (Autor: Ignacio Fernández Rodríguez. 2013)
La incorporación de la especialidad de Tuba a la enseñanza reglada de música en España (1858-1966). (Autor: Hugo Portas Ricoy. 2019)
Método de bajo profundo aplicable a todos los instrumentos graves conocidos con los nombres de saxhorn, bombardón, contrabajo, helikon, bass-tuba, pellitton, etc. Etc. Bien sea que estén construidos en tono de do, de si bemol, de fa o de mi bemol y que tengan 3 o 4 pistones o cilindros a rotación (Autor: Miguel Moreno. 2015)
Practical considerations for Euphonium players doubling on Tuba (Autor: Vince Kenney. 2019)
Preparing selected wind band euphonium audition materials through the use of etudes (Autor: Danny Chapa. 2016)
Revelation: the emergence of the euphonium from the traditional brass and wind band culture and its modern (Autor: Matthew van Emmerik. 2011)
Richmond Matteson: Euphonium innovator, Teacher and performer, With three recitals of selected works by Frescobaldi, Bach, Saint-Saëns, Hutchinson, White, and others (Autor: Marc Dickman. 1997)
Six sonatas for violoncello by Benedetto Marcello, a critical edition with perfomance guide for low bras instruments(Autor: Mark John Carlson. 2008)
The automatic compensating euphonium as the ideal choice for performing music composed originally for ophicleide (Autor Richard R. Demy. 2014)
The changing role of the Euphonium in contemporary band music (Autor: Robert Pennington Reifsnyder. 1980)
The Golden Age of Euphonium playing c. 1880-1930 (Autor: Gretchen Renae Bowles. 2004)
The musical career and teaching philosophie of euphoniumist Steven J. Mead (Autor: Robert Thomas Pendergast. 2009)
The serpent and ophicleide as instruments of romantic color in selected works by Mendelssohn, Berlioz and Wagner (Autor: Richard Morgan. 2006)
The use of the euphonium in selected wind band repertoire since 1980 (Autor: David W. Stern. 2001)
The use of the Tenorhorn and Baryton in the brass chamber music of Oskar Böhme and Victor Ewald: a lecture recital, together with three recitals of selected works of J. Boda, J. Brahms, G. Jacobs, G. Mahler, T.R. George, J. Castérède, A. Capuzzi and Others (Autor: Denis Winter. 1988)
Voices of the Australian Tuba: A consideration of factors influencing its changing sound and musical status (Autor: Jy-Perry Bank. 2013)